Comprehensive review of DBX Driverack RTA-M reference microphone for superior sound optimization
Comprehensive review of DBX Driverack RTA-M reference microphone for superior sound optimization
- Delivers precise frequency analysis, making it perfect for achieving a balanced sound in challenging acoustic settings.
- Its lightweight build and compact design ensure easy handling and portability during setups or performances.
- The microphone’s ability to capture a full range of frequencies enhances audio clarity and boosts sound optimization.
- Durable construction ensures reliable performance even with frequent use in various environments.
- Compatible with multiple applications, it doubles as a room mic or instrument mic, offering versatility beyond its primary design.
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Description
Design and Build Quality
The dbx RTA-M Driverack Series Reference Microphone impressed me right out of the box. It has a sleek, black finish that feels professional and understated, perfect for blending into any studio or stage setup. Measuring 12 x 3.5 x 7 inches and weighing only 1.4 pounds, it’s surprisingly compact and lightweight for a measurement microphone. The build feels solid, and I appreciate the attention to detail. The microphone comes with a clip and case, which is a thoughtful addition, ensuring it stays protected when not in use. While it’s primarily designed for the Driverack systems, I found it versatile enough to be used with other setups as well.
Performance and Features
The standout feature of this microphone is its omni-directional, flat frequency design, which ensures accurate sound capture. I tested it in different environments, and its 20 Hz to 20 kHz frequency response truly delivered. Whether I was adjusting the EQ settings in a small, acoustically challenging room or analyzing sound in a larger venue, the microphone provided precise results. The Auto EQ functionality in the Driverack Wizard setup assistant worked seamlessly with this mic.
Another noteworthy aspect is the microphone’s ability to run on phantom power, supplied directly by the Driverack units. This eliminates the need for additional power sources, making it incredibly convenient. Beyond its primary function, I used it as a room mic during a live performance, and it captured the acoustics beautifully. It’s also a solid choice for instruments like acoustic guitars and pianos, providing a warm and clear sound.
Key Benefits
- Accurate real-time audio analysis: Perfect for optimizing EQ settings in any environment.
- Wide frequency range: Captures all frequencies between 20 Hz and 20 kHz, ensuring precise sound representation.
- Lightweight and portable: Easy to transport and use in various settings.
- Versatility: Works well with the Driverack system but also performs excellently as a standalone condenser microphone.
- Durable design: Built to last with a robust form factor.
Areas for Improvement
As much as I appreciated the performance of this microphone, there are a few less favorable aspects worth mentioning:
- Limited use outside the Driverack system: While it functions well independently, some features feel optimized for Driverack users.
- No included stand: The absence of a stand means you’ll need to purchase one separately, which could be inconvenient.
- Noise level: With a 78 dB signal-to-noise ratio, it’s good but not the quietest mic I’ve used, especially in very quiet environments.
Competing Products
Looking at market rivals, there are a few alternatives to the dbx RTA-M. The Behringer ECM8000, for instance, is another omni-directional measurement microphone that offers a similar frequency range. However, I found the dbx RTA-M to be slightly better in build quality and integration with the Driverack system. On the other hand, the MiniDSP UMIK-1 offers USB connectivity, which some users might find more convenient. Still, the dbx microphone feels more tailored for professional setups, particularly if you already use a Driverack.
Price Performance
In terms of price to quality ratio, this product delivers excellent value. While it’s slightly more expensive than some competitors, the added integration with Driverack systems and its versatility justify the cost. For anyone working in live sound or studio environments, it’s a smart investment. The included clip and case add to the overall package, making it feel like a complete solution rather than just a standalone microphone.
User Experience and Versatility
Using this microphone was a breeze. I tested it during a band rehearsal to fine-tune the room acoustics, and the difference was night and day. The Auto EQ process made the setup feel like magic, and I didn’t have to spend hours tweaking settings manually. My coworker, who handles live sound mixing, also gave it a go and was equally impressed by how intuitive and precise it was. Outside of its primary use, I even tried it on a drum kit, and the clarity it brought to the cymbals was remarkable.
Additional information
Audio Sensitivity | 63 dB |
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Item Weight | 1.4 pounds |
Microphone Form Factor | Microphone Only |
Item dimensions L x W x H | 12 x 3.5 x 7 inches |
Power Source | Corded Electric |
SignaltoNoise Ratio | 78 dB |
Number of Channels | 1 |
Frequency Response | 20 KHz |
Noise Level | 78 dB |
Global Trade Identification Number | 00691991400421 |
Manufacturer | Harman Music Group |
UPC | 600599652873 691991400421 081175651235 |
Product Dimensions | 12 x 3.5 x 7 inches |
Item model number | RTA-M |
Is Discontinued By Manufacturer | No |
Color Name | black |
Size | 7.00 x 3.50 x 12.00 inches |